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全书主要探讨唐诗与绘画艺术的紧密关系,以苏轼评论王维诗画艺术的两句话'诗中有画','画中有诗'为论述中心.涉及全唐五代诗与绘画艺术方方面面的问题. 在此基础上, 同时探索诗画融通的艺术规律,以及它在各个朝代的表现,简略勾勒出我国历代诗画融通的发展轨迹. 本书不啻为一部我国诗画融通小史.
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