Magical Tome

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MAJOR REFERENCE on Latin American abstract art that documents the developments in this movement over the past six decades. The catalogue begins with a review of the historic revolutionary developments of 1933, which established the basic language for abstraction to come. Joined by a detailed examination of the evolving formal and ideological considerations of ensuing artists and movements, with emphasis in crosscurrents of influence between artists on several continents. Selections of the MACBA collection that comprise the body of this catalogue offer a vivid testament to this exchange, encompassing the many permutations on perennial topics in geometric art. The Museum of Contemporary Art (MACBA) in Buenos Aires was specially created to house the private collection of Aldo Rubino of different variants of geometric abstract art. The collection includes works by Carlos Cruz Diez, Víctor Vasarely, Sarah Morris, Kenneth Noland, Julio Le Parc, Walter Leblanc and Alejandro Puente amongst others. "The museum begins its program of exhibitions with "Intercambio Global (Global Exchange) under curator Joe Houston. For this prestigious North American specialist, geometric abstraction embodies the ideals of the modern movement that, from the mid-twentieth century, has exhibited mutual interaction between people domestically and internationally. It is an art form that, in his judgment, "reaffirms the common notions of innovation, progress, and optimism that continue encouraging new and current abstraction.""-P. 12.
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