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Magical Tome

Placeholder cover for Sandalwood and carrion
First published
2008
Latest edition
2012
Pages
428 pages

Sandalwood and carrion

The outer archives are busy

by James Andrew McHugh

About this book

"Sandalwood and Carrion: Smell in South Asian Culture and Religion" is an examination of the sense of smell and the use of aromatics in early and medieval South Asia. This study considers the discourses and practices associated with the sense of smell as presented in Sanskrit texts of many genres. Drawing on the study of material culture, French cultural historiography, and Sanskrit philology, the dissertation both documents the culture of smell in South Asia and also considers the discursive features of texts dealing with smell. "Sandalwood and Carrion" is the first study of the prominent material and literary culture of smell in South Asian culture, and it is also an important contribution to the study of the material culture of religion in a non-western civilization. Additionally, the study contemplates the possibility of a hermeneutics of perfumes. For the elite of medieval South Asia, luxury was a necessity, and the use of precious aromatics was indispensable in the rituals that attended both the divine and the royal. Through patronage, perfumers and others became highly skilled in the creation of ingenious perfumes and incense, and South Asians were also actively involved in trading these aromatics both internally and externally. In exploring the history of smell in South Asia, the study examines a number of major discourses concerning smell. Philosophers debated the fundamental nature of odors, and odor occupies a prominent place in many genres of literature, such as courtly poetry, epics, Buddhist narratives, and Hindu ritual texts. Not only did scholars describe the world of smells, but we also possess texts documenting the ways in which South Asians manipulated the world of odors through the creation of perfumes. Smell in early and medieval South Asia was considered the most consistently affective sense. The complex manipulation of this powerful sense in both texts and practices created an unsurpassed and cosmopolitan olfactory culture that played a vital role in both secular and religious life.

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