Sounding Creole

About this book

This dissertation investigates the interrelationship of language and music in the complex cultural domain of Cape Verde and the Cape Verdean diaspora in West Africa, Europe, and North America. I illustrate how derogatory tropes of degeneracy, inferiority, and impurity applied to Creole languages and cultures (Creole exceptionalism) have prevented language parity between Portuguese, Cape Verde’s official colonial language, and Cape Verdean Creole (CVC), the vernacular of the country’s entire population. These tropes and their sociological implications are, ultimately, detrimental to efforts toward development in the country. I show that music, a safe and welcoming space for CVC, plays an integral role in preserving and promoting the language.